Senin, 28 Februari 2011
Cristal Electric Vehicle Features Noiseless Smooth Commuting For Up To 6 Persons
Creditor Carbon Fiber Money Clip Knife
Devices and appliances are becoming handy and portable these days. Everybody wants the smallest and the most compact item, be it a washing machine or a mobile phone. The smaller, the better is the present generation gadget motto. One simple tool that is used undoubtedly by all and almost is taken for granted is the pocket knife. Serving gazillions of applications, the usefulness of a handy knife is overlooked.
The latest product, Creditor Carbon Fiber Money Clip Knife is one such compact and efficient tool. Made of carbon fiber and titanium, it is eco-friendly and tiny. Winner of the most innovative knife design, this tool weighs only 40 grams and can fold into the smallest of thickness possible for a knife, a quarter of an inch! It also serves the purpose of holding money and other cards together. It is slim, a perfect fit in the wallet and easy to use. Its shortcoming? Well, the price. Who would want to spend a couple of hundred dollars on a pocket knife and clip which could be bought for a few dollars? The creditor knife looks sleek and attractive, small and eye-catching but is not definitely worth the price.
Manta Amphibious Electric Vehicle
Modern and Futuristic Lounge Design by Tobias Wallisser and Chris Bosse
Studio Streamer Concept
HYDRO-NET Project : San Fransisco Futuristic City in 2018
At key waterfront and neighborhood locales, HYDRO-NET emerges to form linkages between the terrestrial and subterranean worlds. Here new architectures bloom as opportunistic urban caves and outcroppings, fostering new social spaces and densified urban forms, fed by the resources and connectivity provided by HYDRO-NET.
What a stunning vision, San Fransisco already become one of the greenest cities in the US, but this vision totally remake San Fransisco into ecotopia in 2018.
Chanel Mobile Art Pavilion
The Mobile Art Pavilion for Chanel, initially inspired by Chanel’s signature quilted bag and conceived through a system of natural organisation, is also shaped by the functional considerations of the exhibition. However, these further determinations remain secondary and precariously dependent on the overriding formal language of the Pavilion. An enigmatic strangeness has evolved between the Pavilion’s organic system of logic and these functional adaptations arousing the visitor’s curiosity even further.
In creating the Mobile Art Pavilion for Chanel, Zaha Hadid has developed the fluid geometries of natural systems into a continuum of fluent and dynamic space where oppositions between exterior and interior, light and dark, natural and artificial landscapes are synthesized. Lines of energy converge within the Pavilion, constantly redefining the quality of each exhibition space whilst guiding movement through the exhibition. The work of selected artists has been commissioned for the exhibition. Hadid created an entire landscape for their work, rather than just an exhibition space. Visitors will be guided through the space using the latest digital technology developed in collaboration with the artists.
Hadid’s innovative architecture is the reason Karl Lagerfeld invited her to create the Mobile Art Pavilion. She is the first architect to find a way to part with the all-dominating post-Bauhaus aesthetic. The value of her designs is similar to that of great poetry. The potential of her imagination is enormous, Karl Lagerfeld explained during the launch of the Mobile Art Pavilion at the 2007 Venice Art Biennale.Hadid’s architecture transforms our vision of the future with new spatial concepts and bold, visionary forms. I think through our architecture, we can give people a glimpse of another world, and enthuse them, make them excited about ideas. Our architecture is intuitive, radical, international and dynamic. We are concerned with constructing buildings that evoke original experiences, a kind of strangeness and newness that is comparable to the experience of going to a new country. The Mobile Art Pavilion for Chanel follows these principles of inspiration, states Zaha Hadid.
Redesigned Eiffel Tower Proposal
Updated : News of Paris-based Serero Architects’ installation at the top of the tower has been declared a hoax by La Societe d’Exploitation de la Tour Eiffel (SETE). Apparently, some blogs claimed that this proposal is actually going to happen. But there is one problem, the tower management company has never planned to change the appearance of one of the most instantly recognizable buildings in the world.
By redesigning Eiffel Tower based on Serero Architects proposal, I believe this tower will make more bold statement as iconic symbol of French. Serero Architects have claimed victory in the open competition to redesign Eiffel Tower’s public reception and access areas. Serero’s project will extend the top floor plate of the tower by grafting a high performance carbon Kevlar structure on it. The structure will be temporarily bolted to the slab without requiring any modification of the existing structure. Imagine of having the experienced to see fantastic 360 degrees sight of Paris, priceless. It will be very exciting if this proposal gets approved and built.
Green Technology Tower with Wind Turbines at The Corners
The tower is easily accessible via both public and private transportation. Hotel and office lobbies have dedicated street entrances and vehicle pick-up and drop-off locations. Service access to the building and parking are available below grade.
Guggenheim Hermitage Museum
Competing against Daniel Libeskind and Massimiliano Fuksas, Zaha Hadid Architects have won the competition held by Guggenheim Hermitage Museum in Vilnius, Lithuania. Zaha Hadid’s futuristic designs match the cultural aims of the new Hermitage Guggenheim Vilnius Project. As always, the characteristic of Zaha Hadid architectural design always takes the conceptual terms of fluidity, velocity and lightness. The building appears like a mystical object floating above the extensive artificial landscape strip, seemingly defying gravity by exposing dramatic undercuts towards the surrounding entrance plazas. Large activated green fields flow around the museums sculptural mass, underlining its enigmatic presence with curvilinear lines echoing the elongated contours of the building. Contrasting with the vertical business district skyline it is a manifestation of Vilnius’ new cultural significance.
“I am delighted to be working in Vilnius on the Guggenheim Hermitage Museum” states Hadid. “The city will be the European Capital of Culture in 2009 and has a long history of art patronage. With such an interest in the arts, Vilnius will continue to develop as a cultural center where the connection between culture and public life is critical. This museum will be a place where you can experiment with the idea of galleries, spatial complexity and movement.”
This is exactly what we mean by saying “when architecture meets new technologies”.
Strata Luxury Tower in 2011
Dubai is coming out to be the next destination as far as architectural designs are concerned. An example of the same is the Strata tower, a forty story, luxury residential building designed by architects Hani Rashid and Lise Anne Couture of Asymptote. The work has started on the Al Raha Beach and is slated to be completed by early 2011.
The tower would be 160 meters high and will be tallest building in the Al Dana precinct, which is the centerpiece of Aldar Properties PJSC’s prestigious Al Raha Beach development. The project and its development shall be showcased at Cityscape Abu Dhabi from May 13–15, 2008. the Strata Tower is designed to signify an important and dignified future for the Abu Dhabi and the surrounding region.
Its physical presence is striking as it encapsulates the meaning through abstract form which is drawn from both motifs and local cultural landscapes along with forces of global influence. Its design utilizes the mathematical means in design to achieve a highly pertinent architecture for UAE. This innovative form was created using techniques from various influences along with the state of the art advanced parametric modeling tools and factors including economies of production and fabrication with special consideration given to environmental sustainability. Sophisticated computer modeling tools were utilized to produce the building’s intelligent, environmentally responsive louver system which is held in a cantilevered exoskeleton structure. This exoskeleton veils the entire tower in a shimmering curvilinear form set against Abu Dhabi’s surrounding desert and sea, embracing and reflecting the ever-changing light and atmospheres that contain and enfold it.